it’s been quite a while
since our paths have crossed.
you seem different
than how I remember you –
smaller, shabbier, and sallower – but
I don’t think you
actually changed. it’s more
that I see you with new eyes.
I’ve changed, and
what used to fascinate me
no longer holds the same appeal. I’m
not sorry, because
we were doomed anyway,
and I no longer need or want
there to ever be an us.
I’m glad that I can now
appreciate what you can offer
as a friend, instead of
languishing over someone
who could never have
been more than that.
Author: R. Brookes McKenzie
don’t bother
trying to find me – I’m
not there. as if
you cared to look,
anyway. you’re not
going to have me
to kick around
this week!
and don’t bother
trying to rile me – I don’t care!
so very much so
that I bothered
to write a poem about
how little it matters.
have fun then,
chasing your
shadow and chatting up
new girls. I’m
enjoying myself
somewhere you’re
not.
call of the North
that four forty five a.m.
impulse Mexican order
was not worth it. first of all
they kept calling me
to tell me they were
almost there (which was
a complete, shameless lie) just
when I had decided
to rest my eyes on the couch
for a second. secondly, final delivery
(after the many false alarm
phone calls) took place
fully one and a half
hours after the initial order
was placed. thirdly and really
most importantly, the food
wasn’t very good. I regret this
whole experience, La Norteña,
and soon, so will you.
what the bard did
I’ll just hide behind
the North Wind,
hollow my bones into a flute
to be played by a zephyr,
go be a droplet
in a rainstorm, then
transform all my water
into vapor before freezing to
an icicle, and ceasing to exist
in my current form.
don’t watch, then, as I fly away,
feathers gleaming black with an iridescent sheen,
cawing evil prophecies
to the wind. let no one see
as I leap upstream, showing
my gleaming pink and silver belly.
mortals, avert your eyes as I step
delicately into the woods
on slender pointed hooves,
lest you be blinded.
all of these are child’s play;
a hop, skip and a jump
compared to what’s
being asked of me.
I’ll leave a feather and a rock
in my place. they will
tell my tale, exhale
my radiant breath
to those that come
after.
witch, please
banish yourself
to the darkest depths
of Hades; take your black
cat familiar with you. draw a
counterclockwise pentagram
to remove all traces
of your aura. crawl back
into the open grave
from whence
you stumbled.
if it’s all the same to Hecate,
worship her quietly
in the forest where
no one can hear you cry.
the crescent moon
will hide your sighs
and the darkest trees
shelter your selfish soul.
the world seems to be sick
of your supernatural shenanigans.
better be gone than forget
the rule of three.
how many times
must you be punished
before you learn?
the source
I used to write more
fictionalized poems. I felt like I
was channeling them from
somewhere else. sometimes
I didn’t know where
they were coming from
or what they meant. it always
bothered me that I
hadn’t actually experienced
these situations that
came through my pen.
it robbed me of authority,
I thought, and furthermore,
it made me feel stupid,
because I couldn’t explain it.
once I was reading
Don Quixote and I was inspired to write
a vaguely romantic poem
about a knight named
Roland. it seemed meaningless,
yet oddly charged
at the time. several months later
my seat mate on a plane
flirted with me for six hours straight
before finally admitting
to having a girlfriend. just
before deplaning, he showed me
his driver’s license,
and there it was
in black and white: his name
was Roland. I thought of
my poem and felt like it
was more of a prophecy
of that situation
than a coincidence.
so now, even when
some fiction occurs
to me, I try to situate it
within the context
of my life and my own
reality. anyway I don’t
really care if the reader
can relate to the details.
they are for me.
I try
to write my feelings
in such a way that
someone reading might
recognize something
of themselves in them.
a well-turned phrase
still rings true
even in the midst
of my specific, untranslatable
situation. my personal truth
can be meaningful
to someone else
without my trying
to make it universal.
feelings are what’s universal.
details sometimes are –
more so than one
might think, I think – but even
if they’re not, who cares.
there’s something in me
that wants to come out.
if someone else
sees themselves in it, cool.
if not, they can scroll down
to the next poem.
not-so-superpowers
sometimes I feel invisible.
sometimes nothing feels right.
sometimes my bones ache
with the knowledge that
I’m not good enough.
sometimes this living
hurts me. sometimes my
x-ray vision shows me things
I’d rather not know.
sometimes my adamantium claws
carve up my own heart.
superfriends, save me
from the kryptonite
of my infinitely expanding
sadness.
poor rich
he shouldn’t feel bad
about what happened.
it was nice that he cared
enough to come out after me,
and brave that he dared
to broach the subject
in front of an audience.
I will admit to being
confused, and thrown off
guard, so I fell back
on my default arch
mannerisms, fearing
it was a trick, that somehow
he was setting me up
for embarrassment.
also I was so very tired
that at first I couldn’t even
remember the wording
of the piece in question,
so I stalled for time
while mentally reviewing it
for clues as to how angry
it could have come across.
but honestly I’d much rather
he asked if I was mad
when I wasn’t, than not notice
when I actually was mad.
plantlove
the ways
that you’re wrong,
shall I count them?
I would lose track,
they’re so multitudinous.
in fact, I shan’t even deign
to answer your latest
pathetic attempt to throw me
off the track and
under the bus.
such obvious bullshit
doesn’t deserve
the dignity of my response.
rest assured that I know
every single way
that you’re full of it.