assumptions

I wish people would stop
assuming we’re together,
and saying what a great couple
we’d make. at first
I liked it; I thought surely now
you’ll see how we’re perfect
for each other, how obvious it is
to everyone that we should date.
but now that you’ve told me
again
that you’re not feeling it,
that there’s no future
for us in that way,
all this commentary
from the peanut gallery
is just rubbing salt
in my wounds.

yes, I know. tonight’s
complimentary bum
was clearly trying to soften us up
in the hopes of getting that elusive
pocket of change.
but even a stopped clock
is right
twice a day. it’s too bad.
our glorious possibility
could be written in the sky
in letters of fire
eighteen feet tall,
and you’d still claim
not to see it.

in the audience

as I watched your set,
I could feel
how my face and eyes and heart and soul
were lit up from within
by how very much
I love you, how much
I need and want you
and I felt that anyone
who glanced at me
even for a moment
would see everything
written on my countenance
because – as I’ve been told
so many times –
I have a glass face. I was glowing
like a candle, like a miniature sun,
quietly burning away
in my little corner of your life.
you might not have seen it –
and I cannot blame you in the slightest,
being that you were pretty busy
expressing your own wonderful art –
but I felt myself shining
like a lighthouse
in the fog. If you’re ever lost
in the dark, I hope you’ll let me
guide your way home
and that I can be that refuge,
that steady burning heartfire
of warmth and light
for you to reheat
your dormant passions
and reignite the pilot light
on the stove within your chest.

my days away from you

I think you don’t quite understand
the strange way
my brain and heart work.
I spend my nights in company –
lately mostly yours, though
not nearly enough
alone time (tête-à-tête, if you will,
and oh, how I would love to)
to satisfy my heart –

and then I go home
alone
to find that one of the cats
has puked on the bed
and there’s only leftovers
to reheat and reluctantly,
eventually eat. I play a sad song
fifty times on repeat, smoke
too many cigarettes,
compose, post and delete three poems,
four selfies, thirteen tweets.

and by the time I lie between
the sheets, my mind
ranges far and wide,
reviewing every moment
every look
every dumb thing
I said and/or did
every friend I insulted or offended,
every other man
I led on and talked to, flirted with
because
I couldn’t bear being
in the same room with you
without being with you,
but especially carefully
I must test the memory
of every accidentally
-on-purpose touch
and imagine the faintest hint
of your response,
seeking to detect the slightest bit
of warmth in your eyes
softness in your voice
electric resonance in your skin.

I feel again all the sensations
and my skin is tingling
as if I’m holding a live wire
but this time I am safe
from myself and from you.
I can’t do anything about these
delicate, intense, intimate
feelings. there’s no danger
that I’ll say something
stupidly real, no risk
of my hand grenade heart
igniting some long-banked
answering fire in you.

eventually I wear myself out.
sleep ambushes me
and I dream fragmented shards
of a mirror world
where we are both brave. waking up
feels like being dragged
up from the bottom
of the ocean; I rush out again
with the tide’s swift and certain need,
drawn by you, my lonely moon,
and by the time I
see you again in the flesh,
I’m so exhausted from all my
solitary imaginings
and agonized reviews
that I can barely hold up my end
of the conversation. I’m sorry.
I’ll try harder to be more present
in your presence
and less intensely tortured
by your absence
when we are apart.

that heart

I’m sorry
I sent you that heart.
not because I didn’t mean it,
but because I do.
I’m so used
to sending them to my girlfriends
and saying I love you
every five minutes
that my fingers just
ran away with me.
these symbols are
so much less freighted
when the love in question
is that of Phileos and Agape.
enter the spectre of Eros
and the whole thing falls apart;
the center cannot hold.

so it’s okay. I understand.
if you’re not ready
to accept my heart,
electronic or otherwise,
feel free
to change the subject.

appropriate distance

when we’re out
in public –
whether we arrived together
or just made our separate ways
to the place
where we both
spend most of our time
these days –
I sit close at the slightest opportunity
make every excuse
to touch you –
even just a knee under the table
a hand on your arm
when I’m making a point –
but you,
you keep your distance.

is it because
you want to preserve
that slim buffer of space
between our bodies
to make it obvious
that we’re not an item
so that if a younger, cuter girl
wants to flirt with you, she knows
you’re still available
and that I
have no claim
upon your heart?

or is it because you fear
that once you get too close
we’ll be like magnets;
the pull will be too strong
science will doom us
to be locked together
and you won’t be able
to break free?

or even that you can’t believe
I want to be so close
that I’m doing it on purpose?

I hope it’s one of the latter
but I very much fear
it’s the former.

if only you knew
that your touch
far from repelling me
instead thrills me
comforts me –
warms the very
cockles of my heart, even –
would that change your answer?

tape. glue. gold. (you)

you hold me together.
you paper over the cracks
in my head, in my heart
and keep them
until they can hold by themselves.

when I’m at my most shattered
you pick up the pieces,
carefully reassemble them –
nestling each shard
next to its neighbor,
pressing all the sharp-edged curves
back into place –
until my fault lines are all
filled in with gold.

so after you rescue my broken husk
from the trash heap that I
threw myself on in despair,
I’ll be all the more beautiful
for having been so
utterly destroyed.

improved

you read my mind – again.
you wrote exactly what I was thinking
as I watched our mutual friend
kicking ass on stage.
she’s taller, skinnier, prettier, younger,
stronger, healthier, more energetic;
she has her entire life ahead of her,
can play guitar pretty well,
wrote most of her own songs,
and totally rocks the bangs.

at first I could only see how
she was far, far better than I;
how surely anyone looking at her
would forget all about the inferior,
flawed 1.0 version that is me;
how surely you would never settle
for such a pathetic substitute,
if you could strut around
with her on your arm.
but as she played I realized
that she is herself,
shining brightly in all her glory,
and I am
whatever strange and desperate
thing I am, but that to compare us
is to compare the sun to the moon,
the forest to the waterfall,
the endlessly susurrating sea
to the merrily babbling brook.

you got one thing wrong, though.
I have something far better
than a use for you.
I do have a need for you,
a pivotal role, in fact,
and it’s one that I wish you could accept.
it’s not as a chauffeur,
it’s not as comic relief,
it’s not as a shoulder to cry on,
but as a partner to stand by me, and
as a boyfriend to go on long walks with, and watch TV with, as a friend to confide in and listen to you –
reflecting yourself back to you
only better, because I see the inner and outer cornucopia of beauty in you that you are so sadly blind to –
as a lover to kiss and to hold me, and
as a reason to get up in the afternoon, and
as a slow-blooming flower by which
to measure my days.

you’re no substitute for anyone for me;
there’s no one else who has my heart.
you’re not my second choice.
If only you could say the same for me.

posture

my whole life I was told
stand up straight.
my mother made me take ballet –
never once imagining me a ballerina –
and horseback riding,
purely for the posture.
and you said it once or twice, but
it wasn’t until you physically put me right
that I felt it. I can still feel
that ghostly print
of your warm hands on my upper chest
when I close my eyes.
you said, “It’s harder for you because of these”
meaning my breasts
“but here” and you simply
straightened my spine
and for once I felt it,
each vertebra coming
into alignment, and
it felt like leaning back,
too far, tipsy and tipping,
precariously high above the ground,
open and vulnerable.
but it also felt like coming home
to my own body.

I asked,
“Did you ever do the Alexander technique?” I had
actually done it in college,
but like everything else in the
40 years of my life before I met you,
somehow it didn’t really stick,
it didn’t quantify, or signify.
“No,” you said, “but my mother did.”
somehow that spoke volumes.

whoever it was that said
that we never really love another person
as much as we love who we are
when we’re with them was right.

even though I’ve made an ass
out of myself countless times
in front of you, over you, and around you,
the ways in which you have improved me
are tangible, I can feel them,
I know their validity like I know
my own heartbeat.
damn you to hell and back
for how you broke my heart
but bless you to heaven and beyond
or in the next life
for the ways you’ve helped me.

the hart

I know I love you
when you can hurt me more than anyone
and I use it to dig deeper
into my scars
when I care too much
I become the fleet hart
fleeing endlessly deeper
into the cool embrace of the forest
shining white in moonlight
like the dew, deadly
like quicksilver, eternally wounded
waiting for your arrows,
and then suddenly I become Artemis,
I feel her hand steady my spear –
but that is just the idle threat,
I’ll not pierce you bodily today –
the goddess is with me as I merely
decimate you with no effort,
unleashing my sharp-toothed,
slavering words – the very ones
that have been straining at the leash,
raging, inside my mind,
since the last man
who tried to get the better of me –
to tear you apart
for the temerity of your naked
and insolent stare,
your blatant male gaze
aiming looks like dark, darted, darting arrows
into my unclothed heart.